Ngatu is the Tongan word given to decorated tapa or bark cloth. Used across the South Pacific, it is crafted from the inner bark of the paper mulberry tree, scientifically known as Broussonetia Papyrifera. The production of Ngatu often involves groups of women (Koka’anga) who collaborate in this process highlighting its communal importance. It holds profound cultural significance for Tongan’s often passed down from generations symbolising their ancestory, heritage and cultural identity. Considered as a form of treasure (Koloa) or cultural wealth, Ngatu plays a central role in various ceremonies and rituals, including births, weddings, gift giving, funerals and royal events.

Pule'oto refers to the white egg cowrie shell Ovula Ovum, which is used as a traditional adornment holding significant cultural value in Tongan society. The Pule'oto symbolises purity and is an integral part of the teunga tau'olunga (dance costume) worn by female dancers. The shell is typically strung on a black or coloured ribbon worn around the neck (kahoa), wrists and ankles (vesa nima mo vesa va'e) enhancing the visual appeal of the attire.

Heilala is the Tongan word for the vibrant flower from the Garcinia Sessilis tree. It holds significant cultural importance as The Kingdom of Tongas' national flower; symbolising beauty, grace, honour and royalty playing an important role in ceremonies, traditions and the monarchy. The Heilala Festival is one of Tonga's most important cultural events, held annually in July to celebrate the birthday of His Majesty the King. Also derived from the Festival is the Miss Heilala Pageant, which not only serves as a platform to showcase the beauty and talents of Tongan women; but also as a means to promote Tongan culture and tourism. Today the artificial flower is most commonly used to create garlands (kahoa), dance costumes (teunga tau'olunga) and waist garments (kiekie/kafa).

Fau refers to the fibrous bark of the Beach Hibiscus (Hibiscus Tiliaceus) plant, intergral to various tradtional practices both in Tonga and across the South Pacific. It is deeply rooted in Tongan culture representing the connection to the skills passed down through generations. Known for its various traditional uses, Fau is often faster and more economical when producing handicrafts than weaving pandanus leaves. These handicrafts range from woven baskets (kato/kato alu), waist garments (manafau/kiekie), fans (i) and much more!